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Over the past two years, Israel has undergone significant upheavals: from the COVID-19 pandemic, through political uprisings, to the events of October 7 and the longest war in the country's history. Within this reality emerged a sense that something fundamental has changed. Out of a need to respond and search for meaning, a group of artists came together to engage with reality through a shared artistic dialogue inspired by the Dada movement. During the Sukkot holiday, artists from various fields, such as painting, music, video art, installation, and movement gathered in the southern Arava region for three intensive days of artistic collaboration. The gathering aimed to forge a new discourse in an attempt to address questions like how art can function during wartime and what its role is in an uncertain reality. The gathering was an attempt to bring together a group of artists for collaborative work free of ego or barriers, with the goal of creating a deep, intimate, and creative dialogue. The works displayed in the community gallery in the southern Arava are not finished pieces but rather documentation of a process—a blend of collaborative work, workshops, and intimate discussions that resulted in initial projects and artistic creations that are testament to unique moments of creativity. Participating artists included Din Bar, Doaa Bsis, Michal Karniely, Maor Feit, Ido Tzur, and Dan Dan Bashi—the project's initiator and driving force. The process was mentored by Ofra Harnam and the project curator, Sandy Osman. The project was created in collaboration with the Rothschild Foundation, Yanko Dada Museum in Ein Hod and the Hevel Eilot Community Center. The Dada movement, founded in Switzerland during World War I, emerged from a sense of anger and despair in the face of the war's devastation. It sought to challenge conventional perceptions of art and culture, aiming to undermine the fundamental assumptions that had led the world to disaster. Dada artists aspired to defy norms and respond to their chaotic reality through subversive and absurd means. In many ways, the Dada movement raises questions about the role of art in times of war—should it reflect reality or oppose it? Can it offer solace, or should it instead undermine and disrupt? The artists who participated in the "Where to Now?" project in the southern Arava strive to continue exploring these questions, experimenting with new forms of expression and group collaboration. They examine how art can be a tool for coping with the reality of conflict and how it can promote critical dialogue even amid times of uncertainty and profound pain.